Tuesday, February 8, 2011

How Csn I Stop People Viewing My Fr

Perspective on Joint Honours Aki Shimazaki

have in common Aki Shimazaki and filmmaker Nobuhiro Suwa?

H. Looking back at film Story by Nobuhiro Suwa, I saw the year Last, I told myself that Aker Shimazaki addressed in its own way, the question of the unrepresentable. Let me explain: since the Second World War and since September 11, 2001, artists from all walks wonder how do we represent or describe events of extreme violence such as bombing of Hiroshima and Nagasaki, the Holocaust or the fall of the twin towers. Through its

pentalogy The weight of the secrets , Aki Shimazaki takes his reader on a journey through time with a story that unfolds around the Nagasaki bomb. This event is unrepresentable in addition to being a taboo for Japanese to same way as the Hiroshima bomb. Aki Shimazaki is a tour de force: she talks briefly about the event without displaying it as the main element of his work. The story creates a bombshell about the history of Yukiko Yukio and, more secrets come to light, a little history dramatized by the fact that dishonor hanging over the Horibe and Takahashi have on the air more horrible.

Meanwhile, Nobuhiro Suwa, a filmmaker born in Hiroshima, the question of the unrepresentable by the image. Indeed, H. Story (2001) tells the story of a filmmaker who tries to make the remake of Hiroshima my love. Here the question is more "how to represent the unrepresentable," but rather "Is it possible, in the early 2000s, point by point to resume the original screenplay Hiroshima mon amour?". Suwa gives the answer is no. When the viewer watches the film, he witnessed a shooting missed. Actors expected to interpret Nevers (Beatrice Dalle) and Hiroshima (Hiroaki Umano) feel uncomfortable to recite the text of Marguerite Duras. Through their discomfort and failure of filming, these two characters wander in Hiroshima, predicting that the remake will not happen. In addition, the director express filming leaving burrs in images such as flash roll end. The only thing it did exactly as Resnais is in its way to film the Bomb Dome A. To summarize the work of Suwa, there is a distancing from history, but also over its predecessors. For him, it's much too difficult to do the remake of a film about an event he has not lived. As for books Aki Shimazaki, Nobuhiro Suwa wants his work simple and unobtrusive.
To all those who have not seen the movie and would like to see, I highly recommend it.

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